Drew Kirsch Makes a Bold First Impression With ‘He Bled Neon’ —SXSW
One of the best things about the SXSW Film & TV Festival is all of the debuts. This is the first sample of the creative vision of a writer or...
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‘Hoppers’ Will Make You Audibly Gasp
Blah, blah, blah, blah, hot dogs. If you understand the phrase above, you probably had a blast at Pixar’s latest animated film, Hoppers. If...
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‘The Bride!’ Review: A Beautiful Mess of Monster Movie Ambition
Few movie-lovers can resist a monster film, and there are few monsters more famous than Frankenstein’s. There are almost 500 films that feature...
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How To (NOT) Make ‘How To Make A Killing’
Decades of remakes, reboots, and reimaginings comprise a percentage of films in the industry. On one end of the spectrum, Walt Disney Studios Motion...
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‘Crime 101’ Is the Gritty Anti-Blockbuster We Need
The title “Crime 101” evokes a sense of starting from the basics. When the era of big budget comic blockbusters may be at the tail-end of its...
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‘Good Luck, Have Fun, Don’t Die’ Is A Rejected ‘Black Mirror’ Episode
At the point of no return, a select fraction of human beings have played the game of life safely enough to make it this far. The Y2K craze had been a...
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Dom-Com ‘Pillion’ Penetrates… the Heart
“What if Hugh Grant were a bottom?” Is this a question burning inside you? Now that you’ve read it, are you curious? Would Four Doms and a Funeral or...
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‘Wuthering Heights’ — Yearning and Beautiful Gowns Yields Forgettable Experience
Writer-director Emerald Fennell is in a precarious spot. Coming off of her Best Original Screenplay award for her feature debut, Promising Young...
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‘Carousel’ And the Little Lies We Tell Ourselves —Sundance
It’s quite easy to fall into a pattern of living. Having a routine isn’t necessarily a bad thing. However, one can find themselves so safe inside...
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‘Twinless’ Is the Dark Comedy You Don’t See Coming
Producer James Sweeney’s Twinless is such a great black comedy-drama, and I hate that small parts of the film were getting leaked out of the film...
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