‘Teenage Sex and Death at Camp Miasma’ Nests Vulnerability Inside Carnage
Teenage Sex and Death at Camp Miasma, as the title suggests, is a delectable slasher comedy dripping with sexual awakenings and rediscovery. If an...
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‘Spider-Man: Brand New Day’ Has Some Heart But Gets Caught in the MCU Web
This is going to be a major year for the Marvel Cinematic Universe. After the announcement of Avengers: Doomsday, fans have been salivating for any...
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‘Toy Story 5’ and the Gentle Warning About Tech
Woody and the gang round up once again for another adventure with Toy Story 5, directed by Pixar vet Andrew Stanton. It’s a win for me because the...
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‘Chum’ Uses The Stunning Alice Eve As Bait
There’s a reason why I do not dive into (pun partially intended) many sea-survival thriller movies, whether the animal antagonist is a shark,...
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‘I Love Boosters’ Is a Flavor Rush Satire
People pile into Oakland’s historic Grand Lake Theatre, with not a seat left empty, for Boots Riley’s latest film, I Love Boosters. It’s the...
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‘Is God Is’ Burns With Righteous Rage and Unexpected Levity
Not many people can write an award-winning stage play, adapt it into a screenplay, and then direct that adaptation. Now, add the burden of this being...
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Fall Deeply And Madly Into ‘Obsession’
Following his viral hour-long feature-film debut, Milk & Serial, which cost $800 to produce and publish on YouTube in 2024, Curry Barker hit...
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‘Michael’ Plays All the Right Notes and Nothing Else
Already crushing box office expectations over the weekend, the 2026 biopic Michael, written by John Logan and directed by Antoine Fuqua, was marketed...
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‘I Swear’ Humanizes a Man Without Erasing His Impact
I Swear is a warmhearted, true-to-life film about John Davidson, who is both an advocate for and lives with Tourette’s syndrome. Writer,...
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‘The Devil Wears Prada 2’ Fits Well But Doesn’t Slay
A charming enough and well-polished sequel that unfortunately falls prey to the common pitfalls of diminishing returns, David Frankel’s The Devil...
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